MEET EVA YAA ASANTEWAA
“Artists need tons of compassion and support. It's a difficult society, and people who have been marginalized and targeted by it do better when we support one another.”
Eva Yaa Asantewaa (she/her) was born in New York of Barbadian immigrant heritage and lives in Lenapehoking/East Village. A veteran writer, editor, curator and community educator, she won the 2017 Bessie Award for Outstanding Service to the Field of Dance. Since 1976, she has contributed dance criticism and journalism to Dance Magazine, The Village Voice, and other publications including her blog, InfiniteBody. She podcasts at Body and Soul. In 2016, for Danspace Project’s Lost and Found platform, Ms. Yaa Asantewaa created the skeleton architecture, or the future of our worlds, an evening of group improvisation by 21 Black women and gender-nonconforming performers. That cast won a 2017 Bessie for Outstanding Performer. In 2018, Queer|Art named one of its awards in her honor, the Eva Yaa Asantewaa Grant for Queer Women(+) Dance Artists. She is Founding Director of Black Diaspora and founder of Black Curators in Dance and Performance. From 2018-2021, Ms. Yaa Asantewaa served as Senior Director of Curation as well as Editorial Director at Gibney.
Work
"Before we begin tonight's program..." (August 11, 2020)
"It's also okay to take time to grieve." (March 17, 2020)
"An audience with Angie Pittman," (July 28, 2018)
"His A.I.M. is true: Kyle Abraham's Joyce season," (May 2, 2018)
"World premiere by Aynsley Vandenbroucke comes to Abrons," (March 31, 2017)
"No One Can Teach You How to Write About Dance," (March 27, 2018)
mentor profile
Queer|Art|Mentorship will be accepting applications from emerging artists across the country. Are you open to working with someone remotely, or would you prefer they are based in the same city as you?
“Yes! That's exciting!”
What interests you about mentoring?
“Giving support, sharing knowledge, helping people express their truths, meet challenges with ingenuity and courage. I had to figure out a lot of things for myself in life, some that I wish I knew earlier. Artists need tons of compassion and support. It's a difficult society, and people who have been marginalized and targeted by it do better when we support one another.”
Given your experience and interests, what kind of emerging artist do you feel best positioned to support?
“Dance/performance/writing based artists.”
As a mentor, what would you like to offer an emerging artist? What would you like to receive?
“My excellent introvert's listening skills, my counseling and editing skills, my empathy. Receive? What I always have received from the arts—opportunities to explore and learn something new.”
Have you had mentors of your own? Who have they been?
“In my life, mentorship has been fleeting and unofficial—two dance review editors, Tobi Tobias (Dance Magazine) and Burt Supree (The Village Voice), at the start of my career in the field.”
Is there something we didn’t ask that you would like prospective applicants to know?
“What are your non-arts-related passions? What else might we bond over? So, nature, birding, cats, Tarot...just for starters!”