MEET CHITRA GANESH

“[I AM INTERESTED IN] Challenging and transforming historically gate-keeping, Eurocentric, exclusive art world structures.”

Chitra Ganesh, by Ally Caple

Across a twenty-five year practice that spans South Asia, North America, and Europe, Chitra Ganesh has developed an expansive body of work rooted in drawing and painting, which has evolved to encompass animation, wall drawings, prints, collage, video, and sculpture. Ganesh’s oeuvre is informed by her studies in literature and semiotic theory, and rich histories of public art and graphic design in India. In detailed works, Ganesh combines a vast array of influences including South Asian iconography, science fiction and queer theory, drawing upon visual tropes of vintage comics, anime, and film posters. In nonlinear narratives and richly layered worlds, Ganesh subverts traditional storytelling to open up speculative narratives where queer and femme protagonists actively shape their futures. Her works propose alternative depictions of sexuality and power from popular stories and histories, highlighting the accounts of female protagonists, which have often been subsumed or marginalized by plot lines that reproduce the contours of majoritarian power.

Ganesh is the recipient of numerous awards, including from the Ford Foundation, Anonymous Was a Woman Award, John Simon Guggenheim Memorial Foundation Fellowship in the Creative Arts; the Joan Mitchell Award, Art Matters Foundation, the Hodder Fellowship at Princeton University, Pollock Krasner Foundation, and many others. Her work has been widely reviewed including in The New York Times, Art Forum, Art In America, Hyperallergic, the Art Newspaper, Flash Art, and Art Asia Pacific.

Ganesh’s work is represented in the collections of the Museum of Modern Art, NY, USA; San Francisco Museum of Modern Art, CA, USA; the Whitney Museum of American Art, NY, USA; The Guggenheim, NY, USA; The Art Institute of Chicago, IL, USA; Smithsonian American Art Museum, Washington, DC; The Ford Foundation, NY, USA; University of Michigan Museum of Art, MI, USA; The Pennsylvania Academy of Fine Arts, PA, USA; the Devi Art Foundation, India; Kiran Nadar Museum, Delhi, India; the Ishara Foundation. Dubai, the Saatchi Collection, London, UK; the Tai Kwun Foundation, Hong Kong; Deutsche Bank, among others.

She is on the Board of Governors of the Skowhegan School of Painting and Sculpture, and recently joined the board of the Joan Mitchell Foundation. Ganesh holds a BA in Art-Semiotics and Comparative Literature from Brown University, and an MFA from Columbia University. She lives and works in Brooklyn. 

Learn more here.


Work

A city will share her secrets if you know how to ask (2020), site-specific QUEERPOWER facade installation at the Leslie-Lohman Museum of Art (2020–2022)

Exhbition view of Dreaming in Multiverse (2022) at the Mildred Lane Kemper Museum of Art

Still from Before the War (2021)

Installation view of Her Garden, A Mirror (2018) at The Kitchen


mentor profile

Queer|Art|Mentorship will be accepting applications from emerging artists across the country. Are you open to working with someone remotely, or would you prefer they are based in the same city as you?

“YES!”

What interests you about mentoring?

“1) Participating in substantive engagement and conversation with artists coming from different perspectives, experiences, and at different points in their professional journey. 2) Sharing information and knowledge that often feels elusive and hard to access, in a non hierarchical, ethically aligned exchange. 3) Challenging and transforming historically gate-keeping, Eurocentric, exclusive art world structures. 4) Helping other artists realize the vision they desire for their practice, politics, and daily living. 5) Building collective solidarity and counternnarratives that make space for imagining alternatives to normative/liberal/capitalist values.”

Given your experience and interests, what kind of emerging artist do you feel best positioned to support?

“I started teaching in 1996 - when I was 21, as a junior High School teacher in Washington Heights. Since then I have participated in numerous formal and informal structures, as a teacher, mentor, professor, visiting critic, ally, and comrade. I have 27 years of teaching experience and am very comfortable working with artists from a variety of backgrounds and positionalities.”

As a mentor, what would you like to offer an emerging artist? What would you like to receive?

“All of the above! in terms of what I want to receive or expect, it would be around consistency, respect, clear communication, and a desire for authentic connection.”

Have you had mentors of your own? Who have they been?

“Zarina, a singular and most courageous QUEEN. I miss her so much.”